mardi
desvario sobre los mutantes
lundi
help!!!!!!!!!!!!!!
jeudi
Back
A new Maps is the recording name used by Northampton-based musician James Chapman. He recorded Start Something EP by himself on his 16-track recorder, and released it on his own label Last Space Recordings in 2006, which was met with some critical acclaim. This was followed by his first full album entitled We Can Create, released on Mute Records on 19th May 2007. His first North American release To The Sky EP, was released digitally on May 22 on the same label, followed by his debut album on June 19.
Maps has toured playing the album's songs with a full live line-up, and plans to play 5 dates in the USA later in 2007.
"It Will Find You" has been released as a single, with another track, "You Don't Know Her Name", being released on 30th July, 2007.
On 17th July, 2007 it was announced that We Can Create had been nominated for the Mercury Music Prize. Since its release, the album has been seen as a critical success even though sales have been fairly modest. Additionally, the album received a mildly positive review in SPIN in its August 2007 issue.
Check the lyrics dudes''''
vendredi
Exit a FUCKING EXIT
Exit Music (For A Film)
Wake from your sleep, the drying of your tears, Today we escape, we escape. Pack and get dressedbefore your father hears us, before all hell breaks loose. Breathe, keep breathing, don't lose your nerve. Breathe, keep breathing, I can't do this alone. Sing us a song, a song to keep us warm, there's such a chill, such a chill. And you can laugh a spineless laugh, we hope your rules and wisdom choke you. And now we are one in everlasting peace,we hope that you choke, that you choke, we hope that you choke, that you choke,we hope that you choke, that you choke.
SONG INFORMATIONla cancion está escrita para dos personas que deben huir antes de que todo el mal comience musica de final para una pelicula
Released:
June 1997
Found on:
OK Computer
While on tour with Alanis Morissette in September of 1996, Radiohead was sent the last half-hour of Baz Luhrmann's film William Shakespeare's Romeo and Juliet and asked to write a song for the closing credits. Band members were impressed by the clip, and Thom wrote this song for the movie. At first he attempted to use lines from Shakespeare's play as lyrics, but finally ditched the idea. The moment in the film when Claire Danes (Juliet) holds a Colt 45 to her head was the actual inspiration for "Exit Music." Thom also had the 1968 version of the film in his head: "I saw the Zeffirelli version when I was 13 and I cried my eyes out, because I couldn't understand why, the morning after they shagged, they didn't just run away. The song is written for two people who should run away before all the bad stuff starts. A personal song."
jeudi
i can't sleep tonight
help
Don’t let me down, don’t let me down.
Nobody ever loved me like she does,
Oo, she does, yeh, she does.
And if somebody loved me like she do me,
Oo, she do me, yes, she does.
Don’t let me down, don’t let me down.
Don’t let me down, don’t let me down.
I’m in love for the first time.
Don’t you know it’s gonna last.
It’s a love that lasts forever,
It’s a love that had no past.
Don’t let me down, don’t let me down.
Don’t let me down, don’t let me down.
And from the first time that she really done me,
Oo, she done me, she done me good.
I guess nobody ever really done me,
Oo, she done me, she done me good.
Don’t let me down, don’t let me down.
Don’t let me down, don’t let me down.
dimanche
I Might Be Wrong
1- Motion Picture Soundtrack - Radiohead : (shit dentro del anverso del booklet podemos observar la fascinante entrada to the heavens door....... )
2- Honeydrippers - Sea of love : (no coment)
3- Snow Patrol - Run : lught up light up as if you have a choise even if
you cannot hear my voice i'll be right besides you dear...... louder louder and we''l run four our lives i can't hardly speak i understand .... your voice to say ........... slower we don't have time for that all i need to find an easy way to get all of it have heart my dear even its just for a few days making up with all this mess... light up LIGHT UP
4- INTERPOL - C'mere : It's way too late to be this locked inside ourselves
The trouble is that you're in love with someone else
It should be me. Oh, it should be me
Sacred parts, your get aways
You come along on summer days
Tenderly, tastefully
It's so me, we make time
Try to find somebody else
This place is mine
Set the day, you know exactly how I feel
I had my doubts little girl
I'm in love with something real
It could be me, that's changing!
It's so me, we make time
To try and find somebody else
We pass a line
Now season with health
Two lovers walk on lakeside mile
Try pleasing with stealth, rodeo (?)
See the stands long ending path
Oh, how I love you
And in the evening, when we are sleeping
We are sleeping. Oh, we are sleeping
It's so me, we make time
We try to find somebody else
Who has a line
Now season with health
Two lovers walk on lakeside mile
Try pleasing with stealth, rodeo (?)
See the stands long ending path
jajajaja y la idea comenzara con una ojeada a los oldies, aunque tenga la impresion de soft nice and loud, pues al final todos tenemos un buen darkside asi que
5- Bee Gees - I STARTED a JOKE : I started a joke
Which started the whole world crying
Oh but I didn't see
That the joke was on me...oh no..
And I started to cry
Which started the whole world laughing
Oh if I'd only seen
That the joke was on me
And I looked at the skies
Running my hands
Over my eyes
And I fell out of bed
Hurting my head
For things that I've said
Till I finally died
Which started the whole world living
Oh if I'd only seen
That the joke was on me
And I looked at the skies
Running my hands
Over my eyes
And I fell out of bed
Hurting my head
For things that I've said
Till I finally died
Which started the whole world living
Oh if I'd only seen
That the joke was on me
That the joke was on me.........me.........
--------------------------------------------------------------------------------
If you find some error in I Started A Joke Lyrics,
would you please submit your corrections to me? Thank You.
so there's nothing to do about it.... y quiza siga larga la idea.........don't give in... without a fight hey you Hey you, out there on your own
Hey you, would you help me to carry the stone?
Open your heart, I’m coming home.
[click of tv being turned on]
Well, only got an hour of daylight left. better get started
Isnt it unsafe to travel at night?
It’ll be a lot less safe to stay here. you’re father’s gunna pick up our trail before long
Can loca ride?
Yeah, I can ride... magaret, time to go! maigret, thank you for everything
Goodbye chenga
Goodbye miss ...
I’ll be back
The End
mardi
Sans Titre
vendredi
NO ALARMS & NO SURPRISES




HUH quiza todo esto se borro incomprensiblemente por la levedad que ello imlico, porque quiza lo ohice desmedidamente y todo sigue siendo parte del inmenso e irradiente universo fatuo y asombroso que nos une..... pero ya esta determinada la situacion en este inmueble se presentan fantasmas inconclusos y decepciones de una letargica situacion.... sin embargo la distante Luz que se ha integrado ha comenzado a distinguir nuevos rumbos? no hay ya especulaciones barbaras se ha cacabado una distinta situacion o quiza tal vez se haya desintegrado por una inplicada parcialidad desosegada.... pero lo mas probable es que todo estoo sea solo una vision inconsciente y despedida de la abrimadora y compleja naturaleza que encierra todo..... quiza sea por eso que haya comprendido tan poco... quiza????? quiza???, esta sea la razon de un ultimo encuentro en donde no hay necesidades implicitas solo el simple vistazo de algo inconcluso e incongruente pero que de alguna forma sigue estando presente;............ pero debe ser sin alarmas y sin sorpresas o quiza no..............
No Surprises
A heart that's full up like a landfill, a job that slowly kills you,bruises that won't heal. You look so tired-unhappy, bring down the government, they don't, they don't speak for us.I'll take a quiet life,a handshake of carbon monoxide, with no alarms and no surprises, no alarms and no surprises, no alarms and no surprises, Silent silence. This is my final fit,my final bellyache, with no alarms and no surprises,no alarms and no surprises,no alarms and no surprises please. Such a pretty houseand such a pretty garden. No alarms and no surprises, no alarms and no surprises, no alarms and no surprises please.
SONG INFORMATION
Released:
June 1997
Found on:
OK Computer & No Surprises single
Thom introduced this song to his bandmates and the members of REM on the REM Monster Tour. It was 3 August 1995, in Oslo, Norway, and they were all gathered in a dressing room. The lyrics have been changed since then, but they originally told the story of a man who has become fed up with the way things are working out for him and is having problems with his girlfriend. Two lines from this version are, "He was sick of her excuses / To not take off her dress when bleedin' in the bathroom." Preparing to record the song, Thom altered those lyrics, but the meaning remains essentially the same. Aside from the fact that it features a glockenspiel, this track has a simplicity that proves Radiohead's ability to create a basic song with straighforward lyrics and make it fit smoothly into an album as complex as Ok Computer.
lundi
NICE DREAM




I CALL UP MY FRIEND THE GOOD ANGEL Your sorry eyes; they cut through boneThey make it hard to leave you aloneLeave you here wearing your woundsWaving your guns at somebody newBaby you're lostBaby you're lostBaby you're a lost causeThere's too many people you used to knowThey see you coming they see you goThey know your secrets and you know theirsThis town is crazy; nobody caresBaby you're lostBaby you're lostBaby you're a lost causeI'm tired of fightingI'm tired of fightingFighting for a lost causeThere's a place where you are goingYou ain't never been beforeNo one left to watch your back nowNo one standing at your doorThat's what you thought love was forBaby you're lostBaby you're lostBaby you're a lost causeI'm tired of fightingI'm tired of fighting |
mercredi
i might be paranoid but not an android

quiza puedo ser un androide pero no paranoico huh whats that.........................
se dice que hubo una distorcion de la historia y que los hehcos pasados pueden ser determinados cientificamente, sin embargo hay intermediaciones correctas no establecidas por la historia............. AMARRATE A UNA ESCOBA Y VUELA LEJOS Aunque no te importe nadala vida de un delfinnadaras a fin de siglo en tu pecera.Si no sabes si eres rata o una masa morfa massolo basta darle un beso al espejo.Si no quieres entenderque invernando estan las brujasamarrate a una escoba y vuela lejoslejos.Ah, muy lejosaunque no puedasaunque te mueras |
mardi
thinking about you
| una vez mas intentando continuar con aquello que se ha inventado en una forma etonante, pues tal vez solo tal vez haya algo nuevo alla afuera que descubrir; es un nuevo dia y todo comienza con un nuevo rostro y como dice borges todo es parte del diverso........... A Cold and frosty morning there's not a lot to say About the things caught in my mind As the day was dawning my plane flew away With all the things caught in my mind And I wanna be there when you're... Coming down And I wanna be there when you hit the ground So don't go away say what you say But say that you'll stay Forever and a day...in the time of my life Cos I need more time yes I need more time Just to make things right Damn my situation and the games I have to play With all the things caught in my mind Damn my education I can't find the words to say About all the things caught in my mind Me and you what's going on? All we seem to know is how to show The feelings that are wrong |
lundi
blame it on the blackstar

Transformer (1972)Perfect DayJust a perfect day,Drink Sangria in the park,And then later, when it gets dark, We go home.Just a perfect day,Feed animals in the zooThen later, a movie, too,And then home.Oh it's such a perfect day, I'm glad I spent it with you.Oh such a perfect day,You just keep me hanging on,You just keep me hanging on.Just a perfect day,Problems all left alone,Weekenders on our own.It's such fun.Just a perfect day,You made me forget myself.I thought I was someone else,Someone good.Oh it's such a perfect day, I'm glad I spent it with you.Oh such a perfect day,You just keep me hanging on,You just keep me hanging on.You're going to reap just what you sow,You're going to reap just what you sow,You're going to reap just what you sow,You're going to reap just what you sow...
jeudi
Coco pops
Espero que quizá todo algun dia no sea causa del aspecto falaz que implica despertar sin un rumbo inmerso en la monoteneidad cansada e intransigente, espero no hacerlo jamas , diablos y porque es eso que ocurre y cambia y que pasa y despierta, now i think' im acra zy not lazy espewro no hacerlo y cambiar el rumbo natural de las cosas en aquella luz distante que implica observarlo todo desde arriba with my red wine and sleeping pills j'espere que tout s'amelliorera j'espere que tu puisses regarder les etoiles avec moi quelque jopur remember togheter remember forever souvients toi la ce jour la toi et mopi
teh world just for you for nobody else
dimanche
El trabajo del duelo, es por el contrario, el ejercicio de una respuesta, de una responsabilidad ante las reminicencias y el dolor, la necesidad de su sofocacion. Mitigar el dolor, arrancarlo de la memoria del otro para hacerlo surgir en la mímesis de la vida: Derrida cita éste fragmento; de frases contenidas, frases de Barthes:
El tiempo elimina la emoción de la pérdida (ya no lloro) eso es todo. Todo lo demás es inmóvil, porque lo que he perdido no es una figura, sino un ser; y no un ser, una cualidad (un alma): no indispensable, sino irremplazable, la vida que me quedaba sería seguramente hasta el final
R.I.P
Le Bateau Ivre
Comme je descendais des Fleuves impassibles,
Je ne me sentis plus guidé par les haleurs :
Des Peaux-Rouges criards les avaient pris pour cibles,
Les ayant cloués nus aux poteaux de couleurs.
J'étais insoucieux de tous les équipages,
Porteur de blés flamands ou de cotons anglais.
Quand avec mes haleurs ont fini ces tapages,
Les Fleuves m'ont laissé descendre où je voulais.
Dans les clapotements furieux des marées,
Moi, l'autre hiver, plus sourd que les cerveaux d'enfants,
Je courus ! Et les Péninsules démarrées
N'ont pas subi tohu-bohus plus triomphants.
La tempête a béni mes éveils maritimes.
Plus léger qu'un bouchon j'ai dansé sur les flots
Qu'on appelle rouleurs éternels de victimes,
Dix nuits, sans regretter l'oeil niais des falots !
Plus douce qu'aux enfants la chair des pommes sures,
L'eau verte pénétra ma coque de sapin
Et des taches de vins bleus et des vomissures
Me lava, dispersant gouvernail et grappin.
Et dès lors, je me suis baigné dans le Poème
De la Mer, infusé d'astres, et lactescent,
Dévorant les azurs verts ; où, flottaison blême
Et ravie, un noyé pensif parfois descend ;
Où, teignant tout à coup les bleuités, délires
Et rythmes lents sous les rutilements du jour,
Plus fortes que l'alcool, plus vastes que nos lyres,
Fermentent les rousseurs amères de l'amour !
Je sais les cieux crevant en éclairs, et les trombes
Et les ressacs et les courants : je sais le soir,
L'Aube exaltée ainsi qu'un peuple de colombes,
Et j'ai vu quelquefois ce que l'homme a cru voir !
J'ai vu le soleil bas, taché d'horreurs mystiques,
Illuminant de longs figements violets,
Pareils à des acteurs de drames très antiques
Les flots roulant au loin leurs frissons de volets !
J'ai rêvé la nuit verte aux neiges éblouies,
Baiser montant aux yeux des mers avec lenteurs,
La circulation des sèves inouïes,
Et l'éveil jaune et bleu des phosphores chanteurs !
J'ai suivi, des mois pleins, pareille aux vacheries
Hystériques, la houle à l'assaut des récifs,
Sans songer que les pieds lumineux des Maries
Pussent forcer le mufle aux Océans poussifs !
J'ai heurté, savez-vous, d'incroyables Florides
Mêlant aux fleurs des yeux de panthères à peaux
D'hommes ! Des arcs-en-ciel tendus comme des brides
Sous l'horizon des mers, à de glauques troupeaux !
J'ai vu fermenter les marais énormes, nasses
Où pourrit dans les joncs tout un Léviathan !
Des écroulements d'eaux au milieu des bonaces,
Et des lointains vers les gouffres cataractant !
Glaciers, soleils d'argent, flots nacreux, cieux de braises !
Échouages hideux au fond des golfes bruns
Où les serpents géants dévorés des punaises
Choient, des arbres tordus, avec de noirs parfums !
J'aurais voulu montrer aux enfants ces dorades
Du flot bleu, ces poissons d'or, ces poissons chantants.
- Des écumes de fleurs ont bercé mes dérades
Et d'ineffables vents m'ont ailé par instants.
Parfois, martyr lassé des pôles et des zones,
La mer dont le sanglot faisait mon roulis doux
Montait vers moi ses fleurs d'ombre aux ventouses jaunes
Et je restais, ainsi qu'une femme à genoux...
Presque île, ballottant sur mes bords les querelles
Et les fientes d'oiseaux clabaudeurs aux yeux blonds.
Et je voguais, lorsqu'à travers mes liens frêles
Des noyés descendaient dormir, à reculons !
Or moi, bateau perdu sous les cheveux des anses,
Jeté par l'ouragan dans l'éther sans oiseau,
Moi dont les Monitors et les voiliers des Hanses
N'auraient pas repêché la carcasse ivre d'eau ;
Libre, fumant, monté de brumes violettes,
Moi qui trouais le ciel rougeoyant comme un mur
Qui porte, confiture exquise aux bons poètes,
Des lichens de soleil et des morves d'azur ;
Qui courais, taché de lunules électriques,
Planche folle, escorté des hippocampes noirs,
Quand les juillets faisaient crouler à coups de triques
Les cieux ultramarins aux ardents entonnoirs ;
Moi qui tremblais, sentant geindre à cinquante lieues
Le rut des Béhémots et les Maelstroms épais,
Fileur éternel des immobilités bleues,
Je regrette l'Europe aux anciens parapets !
J'ai vu des archipels sidéraux ! et des îles
Dont les cieux délirants sont ouverts au vogueur :
- Est-ce en ces nuits sans fonds que tu dors et t'exiles,
Million d'oiseaux d'or, ô future Vigueur ?
Mais, vrai, j'ai trop pleuré ! Les Aubes sont navrantes.
Toute lune est atroce et tout soleil amer :
L'âcre amour m'a gonflé de torpeurs enivrantes.
Ô que ma quille éclate ! Ô que j'aille à la mer !
Si je désire une eau d'Europe, c'est la flache
Noire et froide où vers le crépuscule embaumé
Un enfant accroupi plein de tristesse, lâche
Un bateau frêle comme un papillon de mai.
Je ne puis plus, baigné de vos langueurs, ô lames,
Enlever leur sillage aux porteurs de cotons,
Ni traverser l'orgueil des drapeaux et des flammes,
Ni nager sous les yeux horribles des pontons.
Arthur Rimbaud
vendredi
asi que vuelves a ser aquello que nunca fuiste y en lo que te estas convirtiendo.....
remembering
you standing quiet in the rain
as i ran to your heart to be near
and we kissed as the sky fell in
holding you close
how i always held close in your fear
remembering
you running soft through the night
you were bigger and brighter and whiter than snow
and screamed at the make-believe
screamed at the sky
and you finally found all your courage
to let it all go
que nos sigue persiguiendo mientras, es distante y complejo i feel so deep in my heart y a la vez compleja... realidad que quizá no pueda terminar o que quizá se esfume tan rápidamente que ya no sea posible distinguirla o...... diablos quiza me equivoque y siempre ha sido así y nunca nada ha cambiado......o quizá sigo equivocado y no hay nada más que decir
PIctures of YOU
i've been looking so long at these pictures of you
that i almost believe that they're real
i've been living so long with my pictures of you
that i almost believe that the pictures are
all i can feel
remembering
you standing quiet in the rain
as i ran to your heart to be near
and we kissed as the sky fell in
holding you close
how i always held close in your fear
remembering
you running soft through the night
you were bigger and brighter and whiter than snow
and screamed at the make-believe
screamed at the sky
and you finally found all your courage
to let it all go
remembering
you fallen into my arms
crying for the death of your heart
you were stone white
so delicate
lost in the cold
you were always so lost in the dark
remembering
you how you used to be
slow drowned
you were angels
so much more than everything
hold for the last time then slip away quietly
open my eyes
but i never see anything
if only i'd thought of the right words
i could have held on to your heart
if only i'd thought of the right words
i wouldn't be breaking apart
all my pictures of you
looking so long at these pictures of you
but i never hold on to your heart
looking so long for the words to be true
but always just breaking apart
my pictures of you
there was nothing in the world
that i ever wanted more
than to feel you deep in my heart
there was nothing in the world
that i ever wanted more
than to never feel the breaking apart
all my pictures of you
samedi
Aujourdhui simlemente es necesario sentirse de la forma un tanto invencible y necesitada de estar a prueba de......a prueba de....huh de tantas cosas que son predecibles y no....es dificil permanecer sin tener la certeza de que pueda ocurrir ------ y quiza todo esto solo sea un desvario...quizá no tengo ni la menor idea de lo que digo y esto solo forma un conjunto de palabras que se interpretan de muchoas modos, pero; quizá también esto puede ser la parte diversificada que integra los diseños de la parte que quiere ser bulletproof ....... y despues de toda la latanía compleja y ambigüa sólo me queda mencionarlo ham wax me mould me Bulletproof... I Wish I Was...... je ne sais pas franchement, j'essai de comprendre mais j'arrive pas je voudrais parfois.....alors..alors.....je ne suis que.......une poupe de cire... xxoxoxoxoxoxoxoxoxoxooxoxoxoxoxoxoxoxoxooxoxoxoxoxoxoxooxoxooxoxoxoxo Bulletproof... I Wish I Was
Limb by limb, tooth by tooth
Tearing up inside of me
Every day, every hour
I wish that I was bullet proof
Wax me, mould me
Heat the pins and stab them in
You have turned me into this
Just wish that it was bullet proof,
was bullet proof
So pay the money and take a shot
Lead-fill the hole in me
I could burst a million bubbles
All surrogate and bullet proof
And bullet proof
And bullet proof
And bullet proof
SONG INFORMATION
Released: March 1995
Found on: The Bends. Live and acoustic version found on Fake Plastic Trees CD2.
One of the songs that prompted reviewers to believe that Thom had some serious personal problems, "Bullet Proof" actually has a more universal meaning, which invites the listener's personal interpretations. This is truly one of the best songs in the band's roster, and one of Thom's own favorites. The instrumentation was created by Jonny and Ed; they recorded their guitar noises without listening to other layers of the cut. These guitar sound tracks were then put together and mixed with the rest of the song.
jeudi
Ya es hora de permanecer estable, sin la vaga esperanza de dirigirse aún... you cannever ever leave without leaving a piece of youth.... hay tantas vagas ideas recorriendo mi cabeza que es dificil distinguir cual puede ser la que va a dirigirse sola ante la compleja estancia de allá afuerea que aún cuando todo sigue siendo una parte del diverso (sí ocmo dice Borges) es implacable y dificil poder seguir manteniendose cool..... tonigh tonight
Time is never time at all
You can never ever leave without leaving a piece of youth
And our lives are forever changed
We will never be the same
The more you change the less you feel
Believe, believe in me, believe
Believe that life can change
That you’re not stuck in vain
We’re not the same, we’re different tonight
Tonight, so bright
Tonight
And you know you’re never sure
But you’re sure you could be right
If you held yourself up to the light
And the embers never fade in your city by the lake
The place where you were born
Believe, believe in me, believe
Believe in the resolute urgency of now
And if you believe there’s not a chance tonight
Tonight, so bright
Tonight
We’ll crucify the insincere tonight
We’ll make things right, we’ll feel it all tonight
We’ll find a way to offer up the night tonight
The indescribable moments of your life tonight
The impossible is possible tonight
Believe in me as I believe in you, tonight

